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Lissitzky El: more books (100)

El Lissitzky: Life, Letters, Texts, Introduction by Herbert Read
El Lissitzky Life Letters Texts by Sophie Lissitzky-Kuppers, 1968
El Lissitzky: Maler Architect Typograf Fotograf by Sophie Lissitzky-Kuppers, 1976
El Lissitzky: 1890-1941: Architect, Painter, Photographer, Typographer by El Lissitzky,
El Lissitzky (Absent Architecture Series) by Fernando & Garrido, Gines. Burgos, 2008
El Lissitzky: 1890-1941 : Architect, Painter, Photographer, Typographer by Frank Lubbers, 1991-06
Graphic Designers: Eric Gill, Peter Max, László Moholy-Nagy, Abbas Kiarostami, Shepard Fairey, El Lissitzky, Antonia Gerstacker, Bill Gold
EL LISSITZKY: LIFE, LETTERS, TEXTS by El (Sophie Lissitzky-Kuppers) Lissitzky, 1980
EL LISSITZKY. EXPERIMENTS IN PHOTOGRAPHY. April 17 to June 1, 1991. by (El Lissitzky), 1991-01-01
El Lissitzky by El Lisitskii, Galerie Gmurzynska, 1976
Russischer Architekt: Alexander Michailowitsch Rodtschenko, Konstantin Andrejewitsch Thon, El Lissitzky, Wladimir Grigorjewitsch Schuchow (German Edition)
Tanks Are Mighty Fine Things (Seven Separately Bound Items) : Tanks 1.1 Marius Kociejowski 'The Machine Minders' : Tanks 1.2 W.P. Kinsella 'Five Stories' (Numbered and Signed), Tanks 1.3 Norm Sibum 'Eight Poems'Numbered and Signed) : Tanks 1.4 Gyorgy Faludy 'Corpses, Brats and Cricket Music' (Signed and Numbered) : Tanks 1.5 Elizabeth Smart 'Autobiographies' (Numbered) : El Lissitzky 'The Topography of Typography', and Tanks 1.8 George McWhirter 'The Voyeur and the Countess Wielopolska' with Lit by William - Publisher] Hoffer, 1987-01-01
El Lissitzky Design Dutch by John Milner,
Constructivist Architects: Vesnin Brothers, El Lissitzky, Konstantin Melnikov, Vladimir Shukhov, Berthold Lubetkin, Ilya Golosov

lists with details

CiNii - A Study Of The Digital Virtuality On El Lissitzky's Proun
Concept of lissitzky s Proun is the work having characteristics of virtual structure of time and space and can be reinterpreted by new method.
http://ci.nii.ac.jp/naid/110006345712/en/

Extractions: Top Page Browse Publications Citation Index CiNii+Citation Index ... Japanese Journal Title Vol.2, No.1(20030515) pp. 215-222 Architectural Institute of Japan ISSN:13467581 Bibliography Architecture Engineering, Yonsei University Architecture Engineering, Yonsei University Architecture Engineering, Yonsei University Keyword proun proun raum virtuality nonlinear ... interface Abstract Concept of Lissitzky's Proun is the work having characteristics of virtual structure of time and space and can be reinterpreted by new method. Lissitzky's works are complexed with constructivism of Russia and present with the way of constructivism, but actually they contain somewhat different contents with present art theories on the logic and space organization. The differences between internal and external concepts of Proun are caused by the fact that the nature of his work is formed on the basis of the digital space and image but the way of presentation is done on the basis of analogue media of his period. Read/Search Full Text CiNii PDF Holdings NII Article ID (NAID) NII NACSIS-CAT ID (NCID) Text Lang ENG Databases NII-ELS Export Refer/BibIX Format BibTex Format Tab Separated Text (TSV) NII HOME ... NII-REO National Institute of Informatics
El Lissitzky Lazar Markovich Lissitzky, Designer E Artista Soviético
Translate this page Construtivismo de el lissitzky e as suas influências na Bahuhaus e no Modernismo.
http://tipografos.net/designers/lissitzky.html

Extractions: Tipografia: o livro Lazar Markovich Lissitzky O seu trabalho influenciou a Bauhaus , os construtivistas e o De Stijl Abstract Cabinet Suprematicheskii skaz pro dva kvadrata v shesti postroikakh Os Construtivistas O Construtivismo foi um movimento de vanguarda El Lissitzky e Naum Gabo Fotomontagem de Lissitzky Links Monumentos do Futuro: www.getty.edu/research/conducting_research/digitized_collections/lissitzky/ www.moma.org/exhibitions/2002/russian/ Escreva um email a Paulo Heitlinger
Luminous-Lint
Originally published in Moscow in 1933 with an exceptionally clear typographic treatment by el lissitzky that lends a gentle rhythm to the book,
http://www.luminous-lint.com/__sw.php?action=ACT_PSTORE&p1=PSSB&p2=3882439270
IngentaConnect Review: Nancy Perloff And Brian Reed (eds), Situating El Lissitzk
Review Nancy Perloff and Brian Reed (eds), Situating el lissitzky. Vitebsk, Berlin, Moscow. Author Railing P.1. Source The Art Book, Volume 11, Number 3,
http://www.ingentaconnect.com/content/bpl/artb/2004/00000011/00000003/art00008;j
USSR IN CONSTRUCTION - DESIGNS BY EL LISSITZKY Selected Issues
USSR IN CONSTRUCTION DESIGNS BY el lissitzky. Selected issues from the gallery periodical el lissitzky USSR in Construction, Issue 11, 1940
http://www.schicklerart.com/auto_exh/SSSR na Strojke
Wolkenbugel By El Lissitzky - Digital Art And Photography Community : Konvulse
Wolkenbugel By el lissitzky. Options V to us designers as photomanipulation by Russian architect, designer, photographer and typographer el lissitzky.
http://www.konvulse.com/forum/index.php?showtopic=4625
INVENTORY OF THE EL LISSITZKY LETTERS AND PHOTOGRAPHS, 1911-1941
The el lissitzky Letters and photographs collection consists of 106 letters sent (19231935), most by lissitzky to his wife, Sophie lissitzky-Küppers,
http://content.cdlib.org/ark:/13030/tf6r29n84d/

Extractions: Accession no. 950076 Provenance: Lissitzky, El Extent: One linear foot (three boxes) Repository: The Getty Research Institute Research Library Special Collections and Visual Resources 1200 Getty Center Drive, Suite 1100 ... Los Angeles, CA 90049-1688 Abstract: The El Lissitzky Letters and photographs collection consists of 106 letters sent (1923-1935), most by Lissitzky to his wife, Sophie Lissitzky-K¼ppers, along with his personal notes on art and aesthetics, a few official and personal documents, and approximately 165 documentary photographs and printed reproductions of his art and architectural designs, in particular his exhibition designs. Language: German.
Russian Art And Books -- Search Results
Title page design by el lissitzky. Reproduced in Ruth ApterGabriel. Design by el lissitzky, at al. Some soiling to covers and waviness because of
http://www.russianartandbooks.com/cgi-bin/russianart/results.html?searchfield=au
Untitled Document
el lissitzky Lenin Tribune (Proun no. 85), 1924, Design based on sketches from 1920 by Ilya Chashnik Gelatin silver print J. Paul Getty Museum 94.XM.60.2
http://qbic.pixelsix.org/Afst_ReseargeLissitzky.htm

Extractions: Lissitzky entered a period of abstract art inspired by revolutionary ideas when Marc Chagall invited him to teach graphic arts, printing, and architecture at the People's Art School in Vitebsk in 1919. There Lissitzky met Kazimir Malevich and was impressed by his system of nonobjective art, Suprematism. Lissitzky joined UNOVIS (Affirmers of the New Art), a collective of students and teachers that Malevich founded in order to promote Suprematism and bring it to the city's streets and squares. By 1920, however, Lissitzky had invented his own form of abstract art, for which he coined the term Proun (Project for the Affirmation of the New). Lissitzky's Proun compositions utilize shifting axes and multiple perspectives to convey the idea of rotation in space. "We brought the canvas into circles," he declared in 1921, "and while we turn, we raise ourselves into the space." The section of the Web site on Vitebsk juxtaposes the black square of Malevich, seen in his pamphlet Suprematizm. 34 risunka (Suprematism. 34 Drawings, #14) with works by Lissitzky that were directly inspired by Suprematism and produced as part of his activity with UNOVIS. Lissitzky's Lenin Tribune (Proun no. 85), #12) incorporates a tribune, or speaker's platform, that was originally designed by Ilya Chashnik, a fellow UNOVIS artist. The red cube supporting the platform symbolizes the "mark of the world revolution in the arts." Following Lenin's death in January 1924, Lissitzky montaged a photograph of Lenin onto a little podium and placed him on the platform under a screen bearing the word "Proletarii" (Proletarians).
Coilhouse » Blog Archive » The Constructor: The Legacy Of El Lissitzky
It was designed though never built - in 1925 by artist el lissitzky. Thats right - 1925! As in many of his other works, which spanned vastly different
http://coilhouse.net/2007/09/01/el-lissitzky/

Extractions: Man-Amplified front and a back cover that Lissitzky designed. Though he passed the entrance exams, Lissitzky was rejected from art school as a young man because the Tsarist regime placed a quota on Jewish students. Jewish themes and Hebrew letters were prevalent in his earliest work, but soon became replaced by his passion for Suprematism, an art movement that rejected the imitation of natural shapes in favor of fundamental geometric forms. The Hebrew letters later resurfaced in his most abstract architectural designs. All throughout his life, he remained loyal to Soviet ideology and produced some of his most striking propaganda works in his later years.
Interests
Results for users interested in el lissitzky . More fun stuff can be found on the interests page. 39 matches. hxcwahine userpic
http://www.livejournal.com/interests.bml?int=el lissitzky
Science Links Japan | A Study Of The Digital Virtuality On El Lissitzky's Proun
Title;A Study of the Digital Virtuality on el lissitzky s Proun. Author;LEE SH(Yonsei Univ., Kor) JANG L-J(Yonsei Univ., Kor) KANG J-G(Yonsei Univ., Kor)
http://sciencelinks.jp/j-east/article/200402/000020040203A0823089.php
Jewish Heritage Online Magazine
The Russian Jewish painter Eliezer lissitzky was a devout follower of the Communist movement, during a period when there was no contradiction between
http://www.jhom.com/topics/goats/lissitzky.htm

Extractions: The Russian Jewish painter Eliezer Lissitzky was a devout follower of the Communist movement, during a period when there was no contradiction between revolutionary Communist activities and the growth and spread of Jewish culture and art. In 1919, two years following the beginning of the revolution, he painted a series of watercolors describing the story of Had Gadya . Not part of a complete illuminated haggadah , the sequence is intended to stand alone, carrying a message which transcends the message of Passover. It is a show of support for the Bolshevik victory, conceived of as the victory of the weak over the strong, the good over the bad, as the victory of amended justice. The series exposes the tension in Lissitzky's own ideological stance: his acknowledged rootedness in Judaism and his attraction to the new and better world promised by the Communists. The fascinating element in this sequence is the symbolic language which the artist uses for expressing his ideas. This language is based on the visual and verbal traditions of East European Jewry among which he grew up, and this is the group to which he appeals in his work. Lissitzky tries to persuade the Jewish public of the justice of the Communist cause by using a traditional language, Yiddish, characteristic Jewish symbols and values through the Had Gadya story. He proposes to the Jews of Russia a religious-political message, in which the Revolution is the fulfillment of Judgment Day and the redemption of the Jews.
FREUD-LISSITZKY NAVIGATOR
FreudLisitzky Navigator.
http://www.manovich.net/FLN/
Tate Collection | John Maxwell
Tate Online home Tate Britain Tate Modern Tate Liverpool Tate St Ives Tate Online Home Supporters Feedback Tickets Shop Online
http://www.tate.org.uk/servlet/ArtistWorks?id=1599
Journal Of European Studies -- Sign In Page
Automatic download Begin manual download. Downloading the PDF version of Journal of European Studies 1 (1) 288. (89K)
http://jes.sagepub.com/cgi/reprint/1/1/288

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