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Hopper Edward:     more books (100)

Edward Hopper & Company: Hopper's Influence on Photography by Edward Hopper, 2009-04-01 Edward Hopper 2011 Wall Calendar by Whitney Museum of Art, 2010-07-30 Edward Hopper: 1882-1967 Transformation of the Real (Basic Art) by Rolf G Renner, 1999-08-01 Staying Up Much Too Late: Edward Hopper's Nighthawks and the Dark Side of the American Psyche by Gordon Theisen, 2006-06-13 Edward Hopper: Portraits Of America (Pegasus) by Wieland Schmied, Edward Hopper, 2005-04-28 Edward Hopper, the Complete Prints by Gail Levin, 1979-12 Edward Hopper: A Journal of His Work by Edward Hopper, Deborah Lyons, et all 1997-11-17 Edward Hopper by Edward Hopper, Lloyd Goodrich, 1983-10 Edward Hopper and the American Imagination by Deborah Lyons, Edward Hopper, et all 1997-04-17 Hopper Drawings (Dover Art Library) by Edward Hopper, 1989-04-01 Edward Hopper 1882-1967. Transformation des Realen. by Rolf Günther Renner, 1999-12-01 Triangles of Light: The Edward Hopper Poems by James Hoggard, 2009-06-01 Edward Hopper (Artists in Their Time) by Emma Foa, 2003-03 Edward Hopper: A Catalogue Raisonne (Vol. 1-3) by Gail Levin, Edward Hopper, 2006-09-17

lists with details

21. The Art Institute Of Chicago: Exhibitions:
    edward hopper (1882–1967), creator of art that novelist John Updike described edward hopper and its companion exhibition, Watercolors by Winslow Homer  
    http://www.artic.edu/aic/exhibitions/exhibition/hopper
    
    Extractions: Chicago hotels offer special packages for this exhibition. Edward Hopper (1882–1967), creator of art that novelist John Updike described as "calm, silent, stoic, luminous, and classic," is one of the most enduring and popular American painters of the 20th century. His paintings have been celebrated as a part of the very grain and texture of the American experience. This exhibition is the first comprehensive presentation of Hopper's work to be seen in American museums outside of New York in a quarter century. Edward Hopper. Nighthawks , 1942. Friends of American Art. Surveying the artist’s 70-year career, Edward Hopper will feature watercolors and oil paintings, and concentrate on his most productive years—from the mid-1920s to the mid-1950s—when he created his most enduring images such as the Art Institute’s iconic Nighthawks (1942). A pivotal American artist who was intensely private, Hopper made solitude and introspection important themes in his paintings. The exhibition will be arranged chronologically and thematically, focusing on the work he executed in Gloucester and Truro, Massachusetts, Maine, and New York. Approximately 50 oils and 30 watercolors, together with literature and history of the artist’s own time, will show Hopper’s place in the tradition of American realism and modernism.

22. Smithsonian Magazine | Arts & Culture | Hopper
    Painting did not come easily to edward hopper. Each canvas represented a edward hopper was born July 22, 1882, in Nyack, New York, 25 miles north of New  
    http://www.smithsonianmag.com/arts-culture/hopper.html
    
    Extractions: document.write(''); var js="0.0"; js="1.0"; js="1.1"; js="1.2"; js="1.3"; js="1.4"; js="1.5"; Collection of Barney A. Ebsworth / Courtesy, Museum of Fine Arts, Boston Mystery. Longing. A whole new way of seeing. A stunning retrospective reminds us why the enigmatic American artist retains his power Font Email Print Discuss ... RSS Explore more photos from the story Letters from Vincent Jukebox: Seeger Singalong Danger Zones Dream Assignment ... For Hire: Truffle Hunter "The emphasis is on connoisseurship, an old-fashioned term, but we selected rigorously," says Carol Troyen, a curator of American painting at the Museum of Fine Arts, Boston and one of the organizers—along with the Art Institute's Judith Barter and the National Gallery's Franklin Kelly—of the exhibition. "Hopper is recognized as a brilliant creator of images, but we also wanted to present him as an artist dedicated to the craft of painting whose work must be seen in person. His art is far more subtle than any reproduction reveals." Rooms by the Sea and Sun in an Empty Room , two majestic pictures from the 1950s and '60s.

23. Edward Hopper: The Watercolors
    The first major exhibition in forty years of the watercolors of edward hopper (18821967) will premiere at the Smithsonian s American Art Museum on October  
    http://www.tfaoi.com/newsm1/n1m461.htm
    
    Extractions: National Museum of American Art Washington, D.C. Edward Hopper: The Watercolors T he first major exhibition in forty years of the watercolors of Edward Hopper (left: Edward Hopper in Truro, Mass. , 1934, Photograph: Dr. Davenport WEst, Courtesy Carnegie Museum of Art, Pittsburgh) The product of several years' research by Virginia M. Mecklenburg (senior curator at the Museum of American Art) and Margaret Lynne Ausfeld (curator at the Montgomery Museum of Fine Arts), Edward Hopper: The Watercolors brings together rarely seen masterworks from fifteen private lenders and eighteen museums. Senators Bob Kerrey (D-Neb.) and Robert Bennett (R-Utah), both longtime arts advocates, are honorary patrons for the exhibition. The watercolors present an approach very different from that of Hopper's oils and their carefully composed urban scenes heavy with alienation and rigid geometry. "We are delighted to present these wonderful watercolors by one of America's most revered artists," said Elizabeth Broun, director of the Museum of American Art. "These paintings reveal a more spontaneous Hopper who was moved by the thematic possibilities of simple houses and expansive skies."

24. Edward Hopper | American Realist Artist (1882 - 1967)
    edward hopper was born in in the small Hudson River town of Nyack, New York State, just outside Manhattan, on 22 July 1882. Several generations of his  
    http://www.leninimports.com/edward_hopper.html
    
    Extractions: biography Edward Hopper was born in in the small Hudson River town of Nyack, New York State, just outside Manhattan, on 22 July 1882. Several generations of his ancestors were native Americans, originally coming of English, Dutch, and Welsh stock. They were solidly middle-class. When Edward was eight years old, his father purchased a dry goods store and the son sometimes worked there after school. The young boy's talent for drawing showed itself early: by the time he was ten, he was signing and dating his small sketches. As he grew up and continued drawing, he used himself as a model repeatedly. Several self-portraits of varying sizes, drawn in either pencil or ink when he was eighteen years old, show us a strikingly handsome lad as well as one of a clearly introspective personality. At the suggestion of his parents, young

25. Ordinary People: The Art World: The New Yorker
    An edward hopper retrospective. Why buck crowds to attend the big edward hopper retrospective at the Museum of Fine Arts in Boston?  
    http://www.newyorker.com/arts/critics/artworld/2007/05/21/070521craw_artworld_sc
    
    Extractions: @import "/css/global.css"; @import "/css/article.css"; @import "/css/clear-children.css"; Skip to content Print ... Feeds A visual bard of ordinary life, Hopper imposed a thudding ordinariness on painting. The strangeness of this quality must be contemplated directly, and in quantity, for its radical character to register at full force. It is the basis of his universal accessibility. Laying the cards of his intention face up, it inspires rare trust, which steadies our minds to receive the living truths that the pictures tell. Hopper stands with two other American artists, Jackson Pollock and Andy Warhol, whose likewise monumental styles also trashed prevailing conventions of good painting and have proved to be deathless. Art: COURTESY MUSEUM OF FINE ARTS, BOSTON

26. Edward Hopper Prints And Posters At Art.com
    edward hopper Prints and Posters. Find edward hopper Prints and Posters at Art.com.  
    http://www.art.com/asp/display_artist-asp/_/crid--50/Edward_Hopper.htm

27. WebMuseum: Hopper, Edward
    edward hopper painted American landscapes and cityscapes with a disturbing truth, expressing the world around him as a chilling, alienating,  
    http://www.sai.msu.su/wm/paint/auth/hopper/
    
    Extractions: T IMELINE Pre-War American Painting Hopper, Edward (1882-1967). American painter, active mainly in New York. He trained under Robert Henri, 1900-06, and between 1906 and 1910 made three trips to Europe, though these had little influence on his style. Hopper exhibited at the Armoury Show in 1913, but from then until 1923 he abandoned painting, earning his living by commercial illustration. Thereafter, however, he gained widespread recognition as a central exponent of American Scene painting, expressing the loneliness, vacuity, and stagnation of town life. Yet Hopper remained always an individualist: `I don't think I ever tried to paint the American scene; I'm trying to paint myself.' Nighthawks Paintings such as Nighthawks (Art Institute of Chicago, 1942) convey a mood of loneliness and desolation by their emptiness or by the presence of anonymous, non-communicating figures. But of this picture Hopper said: `I didn't see it as particularly lonely... Unconsciously, probably, I was painting the loneliness of a large city.' Deliberately so or not, in his still, reserved, and blandly handled paintings Hopper often exerts a powerful psychological impact distantly akin to that made by the Metaphysical painter de Chirico; but while de Chirico's effect was obtained by making the unreal seem real, Hopper's was rooted in the presentation of the familiar and concrete.

28. Edward Hopper Retrospective In Boston. - By Christopher Benfey - Slate Magazine
    Click here to read a slideshow essay about the private world of edward hopper.  
    http://www.slate.com/id/2165773/
    
    Extractions: var PStax = 58538;var msn_cobrand = 0; placeAd2('arts/slate','leaderboard',false,'') Home art Campaign 2008 Sports Slate on NPR ... Video placeAd2('arts/slate','120x90',false); adsonar_placementId=1307688;adsonar_pid=833779;adsonar_ps=-1;adsonar_zw=134;adsonar_zh=620;adsonar_jv='ads.adsonar.com'; placeAd(3,'slate.arts/slate') placeAd(6,'slate.arts/slate'); More

29. Edward Hopper Fine Art Prints
    edward hopper Fine Art fine art, paintings and prints. ImageKind is an online Community for buying and selling framed art, digital art, wall art,  
    http://www.imagekind.com/shop/Bycategory.aspx?category=artist&id=181

30. Edward Hopper House Art Center
    The edward hopper House Art Center is a dynamic multiarts center situated in the birthplace and childhood home of renowned American realist painter edward  
    http://www.hopperhouse.org/
    
    Extractions: Members' Show Jan 5 - 27 Katrina by Nancy Abramson The Edward Hopper House Art Center is a dynamic multi-arts center situated in the birthplace and childhood home of renowned American realist painter Edward Hopper (1882-1967). The Art Center presents art exhibitions featuring the work of emerging and established artists and juried theme shows in all styles and media. There are also programs and events for children and adults throughout the year, including an outdoor summer jazz concert series, Artists in the Park event, a December book fair, a monthly poetry workshop, drawing, painting, and photography classes, and much more. This historic house, which is listed on the National Register of Historic Places, was an important influence on Hopper’s art throughout his life – views from his childhood, the play of light in various rooms, and nearby post-Victorian architecture were distilled into his art, creating the powerful moods in his paintings.

31. P22 Hopper Set
    This font set is based on the handwriting styles of quintessential American artist edward hopper and his wife, Josephine Nivison hopper, and was produced in  
    http://www.p22.com/products/hopper.html
    
    Extractions: View Shopping Cart/ Check Out This font set is based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper , and was produced in conjunction with the Whitney Museum of American Art. Both artists kept a record of Edward's paintings in a series of journals, which provide the basis for this set. Unlike font sets which feature two similar handwriting samples of one artist, the Edward Hopper font set presents two distinct handwriting styles. The Edward Hopper font is typically masculine, with its sharp angularity, while the Josephine Hopper font presents an interesting contrast, given its elegant, rounded shape, with significantly more flourish. The extras, culled from the aforementioned journals, feature 52 Hopper sketches , which run the gamut from landscapes to nude studies. Hopper Set

32. NPR : Nighthawks, Present At The Creation
    edward hopper s 1942 Nighthawks captures three customers seated at the counter of a brightly lit allnight diner, all seemingly lost in their own thoughts  
    http://www.npr.org/programs/morning/features/patc/nighthawks/
    
    Extractions: Oct. 7, 2002 "Night in brilliant interior of cheap restaurant. Cherry wood counters and tops of surrounding stools. Lights on metal tanks at rear right. Brilliant streaks of jade green tiles three-quarters across canvas at base of glass. Very good-looking blond boy in white (coat, cap) inside counter. Girl in red blouse and brown hair eating sandwich..." It could be a description of just about any diner in any major city, some place passed at two in the morning, its icy glow leaking into dark streets. It could be any place, or perhaps a composite memory, pieced together from countless diners glimpsed in passing. In fact, it's Edward Hopper's outline for his most famous painting

33. EDWARD HOPPER 1882
    1) is one of three watercolors that edward hopper painted during an automobile trip to the West Coast in 1941. He and his wife, the painter Josephine  
    http://www.butlerart.com/pc_book/pages/edward_hopper_1882.htm
    
    Extractions: S hoeshine Cliffs, Wy. (Fig. 1) is one of three watercolors that Edward Hopper painted during an automobile trip to the West Coast in 1941 He and his wife, the painter Josephine Nivison Hopper, spent eight nights in Shoshone Valley, Wyoming. There, on July 9 Hopper began this picture at the base of the Holy City rock formations. The dramatic red sandstone rocks prompted him to work outdoors, near the river at the bottom of the escarpment, rather than to paint in his parked car as was his Custom. His progress on what was an atypical subject for him was disturbed by rainy weather. Three days passed before he could return to the site. Finally, on July 15 Hopper was able to finish his watercolor and he and his wife headed back to the East Coast. In addition to this drive to the West Coast in 1941 Hopper had traveled in the Midwest as an exhibition juror. Such trips prompted him to turn from his usual locations in New York City and New England to focus on the look of other regions. Fiction set in regional America also aroused his imagination. When an interviewer asked what he thought of the work of Theodore Dreiser or Sherwood Anderson, he had replied, "They're a little too Midwestern for me." On another occasion, although he called Sinclair Lewis "a fathead," he admitted that Dreiser was "all right," and he expressed unusual enthusiasm for Anderson, pronouncing him "a good writer."

34. ReadWriteThink: Lesson Plan: Outside In: Finding A Character’s Heart Through Ar
    This activity, based on the art of edward hopper and combined with fiction by By combining fiction by Raymond Carver and paintings by edward hopper,  
    http://www.readwritethink.org/lessons/lesson_view.asp?id=922

35. Edward Hopper (washingtonpost.com)
    edward hopper s paintings linger in the mind of any American art lover. A major exhibition of the artist s work is on view at the National Gallery of Art  
    http://www.washingtonpost.com/wp-srv/photo/gallery/070913/GAL-07Sep13-87769/inde
    
    Extractions: var SA_Message="SACategory=" + thisNode; Hello Change Preferences Sign Out Sign In Register Now ... Pets SEARCH: washingtonpost.com Web Search Archives makeBreadCrumbsUsingCss(thisNode); Edward Hopper Edward Hopper's paintings linger in the mind of any American art lover. A major exhibition of the artist's work is on view at the National Gallery of Art from Sept. 16 until Jan. 21. Note: Please upgrade your Flash plug-in to view our enhanced content. var so = new SWFObject("http://www.washingtonpost.com/wp-srv/flash/photo/templates/photoviewer970.swf", "photoviewer", "970", "520", "8", "#333333"); so.addVariable("datafile", "http://www.washingtonpost.com/wp-srv/photo/gallery/070913/GAL-07Sep13-87769/captions.xml"); so.addVariable("playad", "yes"); so.addVariable("startat", getQueryParamValue("startat")); so.addParam("wmode", "transparent"); so.addParam("name", "photoviewer"); so.addParam("allowScriptAccess", "always"); so.addParam("swfliveconnect", true); so.write("flashcontent"); The Washington Post Company News Politics Opinions Local ... Shopping SEARCH: washingtonpost.com

36. Edward Hopper — Infoplease.com
    hopper, edward, 1882–1967, American painter and engraver, b. Nyack, N.Y., studied in New York City with Robert Henri. hopper lived in France for a year but  
    http://www.infoplease.com/ce6/people/A0824169.html
    
    Extractions: google_ad_client = 'pub-1894504138907931'; google_ad_width = 120; google_ad_height = 240; google_ad_format = '120x240_as'; google_ad_type = 'text'; google_ad_channel =''; google_color_border = ['336699','B4D0DC','DFF2FD','B0E0E6']; google_color_bg = ['FFFFFF','ECF8FF','DFF2FD','FFFFFF']; google_color_link = ['0000FF','0000CC','0000CC','000000']; google_color_url = ['008000','008000','008000','336699']; google_color_text = ['000000','6F6F6F','000000','333333']; Encyclopedia Hopper, Edward, Henri . Hopper lived in France for a year but was little influenced by the artistic currents there. His early paintings had slight success; he gained a reputation, however, through his etchings, which remain popular. The first one-man show of his paintings was held in 1920. Hopper excelled in creating realistic pictures of clear-cut, sunlit streets and houses, often without figures. In his paintings there is a frequent atmosphere of loneliness, an almost menacing starkness, and a clear sense of time of day or night. His work in oil and watercolor is slowly and carefully painted, with light and shade used for pattern rather than for modeling. Hopper is represented in many leading American museums.

37. Trying To Save Part Of Edward Hopper's New York - New York Magazine's Daily Inte
    When much of Greenwich Village was landmarked in 1969, the lowrise sprawl of humble Italian-immigrant groceries and tenements southeast of the neighborhood  
    http://nymag.com/daily/intel/2007/12/trying_to_save_part_of_edward.html
    
    Extractions: Subscribe Today! Give a Gift Welcome, UserName You are not logged in Macy's Hosts Your Holiday After-party Intel 1:00 PM Photo: Courtesy of The Whitney Museum of American Art, John Carbonella When much of Greenwich Village was landmarked in 1969, the low-rise sprawl of humble Italian-immigrant groceries and tenements southeast of the neighborhood, along Sullivan and Thompson streets and even Seventh Avenue South, didn't make it inside the designated historic safety zone. The area, while not full of great monuments, has its own quiet claims on history. The artist Edward Hopper lived there most of his life, and his paintings like Early Sunday Morning were set there. On December 10, the Greenwich Village Society for Historic Preservation and the local community board convened more than 100 people inside Our Lady of Pompeii Church to figure out how to get the city to landmark the area to keep its Hopperness intact. GVSHP's Andrew Berman points out that it's filled with gems like Macdougal Street's Provincetown Playhouse, which launched Eugene O'Neill, and a nearby rowhouse where Louisa May Alcott may have worked on

38. Gallery 78, Edward Hopper
    x. Bert Christensen s CyberSpace Gallery. edward hopper. American, 18821967. Gallery 78, Click Here for a Tour  
    http://bertc.com/subfive/gallery_78.htm

39. Edward Hopper Oral History Interview Conducted By John Morse For The Archives Of
    The following oral history transcript is the result of a taperecorded interview with edward hopper on June 17, 1959. The interview was conducted by John  
    http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/hopper59.htm
    
    Extractions: Preface The following oral history transcript is the result of a tape-recorded interview with Edward Hopper on June 17, 1959. The interview was conducted by John Morse for the Archives of American Art, Smithsonian Institution. Interview JOHN MORSE: This is an interview with the American painter and etcher Edward Hopper conducted by John D. Morse for the Archives of. American Art. It is being recorded in the board room of the Whitney museum on June 17, 1959. Mr. Hopper, in 1933 you wrote a very interesting statement called "Notes on Painting" for the catalogue of your exhibition at the Museum of Modern Art. I wonder if first of all you would mind reading that for us and then perhaps commenting on it? JOHN MORSE: Thank you, Mr. Hopper. Now that was thirty-six years ago you wrote that. How would you change it today? JO HOPPER: Twenty-six. EDWARD HOPPER: Well, I don't know. Well, I'd change that last paragraph. JOHN MORSE: Twenty-six, of course, that's right. You'd change the last paragraph regarding the forecast. Well, we've all had to eat our words now and then on making prophesies. I have, I know. EDWARD HOPPER: I think it will come true, but no one can tell when.

40. Edward Hopper
    This film is based on a `search undertaken by the filmmaker into the life and work of the painter edward hopper. It uses conversations with Gail Levin,  
    http://www.roland-collection.com/rolandcollection/section/19/546.htm

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