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Ensor James:     more books (100)

Sur James Ensor (Le regard litteraire) (French Edition) by Emile Verhaeren, 1990 James Ensor (1860-1949): Visionar der Moderne : Gemalde, Zeichnungen und das druckgraphische Werk aus der Sammlung Gerard Loobuyck (German Edition) by James Ensor, 1999 James Ensor a la lumiere d'Ostende: Essai (Collection Secrets des lieux) (French Edition) by Yvan Dusausoit, 1999 James Ensor 1860-1949. Die Masken, der Tod und das Meer. by Ulrike Becks-Malorny, 1999-12-01 James Ensor (Collection references) (French Edition) by Francine-Claire Legrand, 1999 James Ensor: Legende vom Ich (DuMont Taschenbucher) (German Edition) by Joachim Heusinger von Waldegg, 1991 JAMES ENSOR. (The Q.L.P. Art Series.) by Jacques. Janssens, 1978 James Ensor 1860-1949 Theatre of Masks by Carol Brown, John Hoole, et all 1997 James Ensor (Italian Edition) by James Ensor, 1999 James Ensor: Catalogue Raisonne (French Edition) by Xavier Tricot, 1990 James Ensor, Belgien um 1900 (German Edition) by James Ensor, 1989 El Cristo Entrando En Bruselas: Basado En El Cuadro de James Ensor (Spanish Edition) by Marco Antonio de La Parra, 2003-01 James Ensor, Edvard Munch, Emil Nolde: An exhibition James Ensor (Belgian art monographs) by Roger Avermaete, 1951

lists with details

21. WEBORGERS -The Belgian Painters
    james ensor is certainly one of the precursors of the Modern Art in painting. His house in Ostende is now a small museum with memorabilia of the painter.  
    http://www.geocities.com/Paris/Cafe/2877/paint/paint.html
    
    Extractions: Belgium has a rich history in the art of painting. Famous painters like Bruegel, the Van Eycks, Rubens,Memling, Roger de la Pasture are Belgians. Just think about: the technique of the Western Art oil painting was invented in Bruges, this famous Belgian boom-town of the Middle Ages, where so many artists concentrated to be near the rich and the powerful of that time.

22. Liverpool Museums - Masquerade: The Work Of James Ensor - Lady Lever Art Gallery
    Introduction to the Lady Lever Art Gallery exhibition Masquerade the work of james ensor .  
    http://www.liverpoolmuseums.org.uk/ladylever/exhibitions/jamesensor/
    
    Extractions: Skip over navigation [alt-Z] National Museums Liverpool Site Map ... Text Only Search : image search What's on Exhibitions Visitor information ... Contact us Saturday, 30 June, 2007 - Sunday, 23 September, 2007 This exhibition was organised in collaboration with the Museum of Fine Arts in Ghent. It has lent these works by James Ensor in exchange for the loan of our famous Pre-Raphaelite picture ' The Scapegoat ' which will be exhibited in Ghent in autumn 2007. The exhibition also includes prints from the Fine Arts Museum, Ostend. A series of free events and activities will be held at the Lady Lever Art Gallery to complement this exhibition. Artcylopedia has a comprehensive list of artworks by James Ensor available to view online. Back to the top World Museum Liverpool Walker Art Gallery National Conservation Centre ... Museum of Liverpool

23. James Ensor
    james ensor is too potent and fertile an artist to fit the categories available to theory. He clearly belongs among the Symbolists, but rather after the  
    http://www.artchive.com/artchive/E/ensor.html
    
    Extractions: Just $50 to join the ARTCHIVE PATRON PROGRAM gets your students two copies of the CD-ROM and password access to an online version of the site without ad banners! Purchase orders accepted, or receipts provided for your reimbursement. Thanks for helping to keep the Artchive as an important online resource. If you enjoy Ensor, you will probably also like MUNCH "James Ensor is too potent and fertile an artist to fit the categories available to theory. He clearly belongs among the Symbolists, but rather after the fashion of the poet Jules Laforgue. Both Ensor and Laforgue use their powers of derision to unmask and disintegrate the threadbare, skeletal shibboleths revered by their more solemn and blinkered colleagues. "Born in Ostend, the son of an English father and a Belgian mother, James Ensor received a hostile reception not only from the critics but also from his own supposedly avant-garde colleagues. He escaped expulsion from the Salons des XX in 1889 by a single vote - his own. It was around 1900, when he was past forty, that Ensor finally won the recognition until then denied him. He was awarded the title of Baron, but his belated success had an unexpected consequence: Ensor's inspiration ran dry and the man survived the artist. "...Ensor's shopkeeping parents sold toys, articles for the beach, souvenirs and carnival masks. It is these masks, along with sardonic and insolent skeletons, that provide the dominant theme of Ensor's work. The ferocious sarcasm of his paintings, drawings and prints is, however, balanced by the pathos of his tragic representations of a Christ who figures as the artist's

24. James Ensor
    Subject of They Might Be Giants song Meet james ensor. University Académie des BeauxArts, Brussels, Belgium (1877-80). Do you know something we don t?  
    http://www.nndb.com/people/686/000084434/

25. James Ensor
    Edited by Max Hollein and Ingrid Pfeiffer. Essays by Joachim Heusinger von Waldegg, Rudolf Schmitz and Xavier Tricot.Few artists of the late nineteenth  
    http://www.artbook.com/377571703x.html
    
    Extractions: Few artists of the late nineteenth century produced an oeuvre more bizarre, ironic, profound and rich in interpretive possibilities than the Belgian painter James Ensor. Ensor lived from 1860 until 1949, and has enjoyed newfound fame since 1994 as the subject of the They Might Be Giants song "Meet James Ensor." His unusual work challenged standards of taste and technique by mingling the influence of his Belgian forbears, Bosch and Breugel, with a bright, loosely brushed impressionist style. Ensor offered unmistakable symbols of the absurdity of existenceparticularly in portraying the tourists who flooded his native Ostend on their vacations, whom he caricatured mercilessly as clowns and skeletons, or concealed behind brightly colored carnival masks. His painting influenced both German Expressionists and French Surrealists. When seen in the light of new trends towards the grotesque and comic in contemporary painting, his work obtains new currency. James Ensor includes some eighty masterpieces on canvas and sixty works on paper from international museums and private collections, with key pieces from each of his creative periods. Particular attention is paid to his late work, long neglected by scholarship, in order to prepare the ground for a re-evaluation.

26. James Ensor - On Line Opinion Author
    james ensor is Director of Public Policy at Oxfam Community Aid Abroad. Author s website Oxfam Community Aid Abroad  
    http://www.onlineopinion.com.au/author.asp?id=129

27. James  Ensor 
    A third to suffer a similar fate was the Belgian, james ensor, who wrote, I was born at Ostend, On April 13, 1860, on a Friday, the day of Venus.  
    http://www.3d-dali.com/Artist-Biographies/James_Ensor.html
    
    Extractions: The Germanic spirit that so violently separated the self and the material world had a profound effect on its artists: witness the tortuously emotional lives of Vincent van Gogh and Edvard Munch Salvador Dali , but are devised, rather, to clarify a real situation, compulsive projections of mental states. In its historical context, Ensor's art reflects the tensions of his time. He exalted rather than minimized these tensions and identified himself with them. He was seized by the tragic image of life and the alienation of the self from the world. During his lifetime, Ensor's art of mystical expressionism was little understood. A generation later the Surrealists would discover many things in his art including a controlled violence, and the ability to express the inexpressible in forms experienced in the dream-like, or comatose state of the subconscious; and thus he would be declared a precursor to their own work.

28. Strange Mask Art By James Ensor At AllPosters.com
    Strange Mask Art by james ensor at AllPosters.com. Choose from over 300000 posters and prints. Professional custom framing available.  
    http://www.allposters.com/-sp/Strange-Mask-Posters_i126375_.htm
    
    Extractions: var isLoaded = true; Entertainment College Comics Movies Music People Sports Television Art Artists Decorative Art Fine Art Vintage Art Photography Subjects Animals Architecture Education Humor Landscapes Motivational Performing Arts Transportation Travel World Cultures Specialty Products 2008 Calendars Apparel Canvas Art Framed Art Frames Giclee Prints Limited Editions Magnets Specialty Prints Standups Wall Decals Wall Murals Wall Signs Wall Tapestries Featured Categories Best Sellers What's New On Sale Decorating Styles Exclusive Products Gift Guide Gift Certificates This item is in the following categories: James Ensor 19th Century Art Belgian Art Expressionism ... Art

29. Famous Belgians - Baron James Sidney Ensor
    Baron james Sidney ensor (18601949) was a Belgian painter whose unique portrayals of grotesque humanity made him a principal precursor of 20th-century  
    http://www.famousbelgians.net/ensor.htm
    
    Extractions: Baron James Sidney Ensor (1860-1949) was a Belgian painter whose unique portrayals of grotesque humanity made him a principal precursor of 20th-century expressionism and surrealism. Ensor was born on 13 April in Ostend, Belgium, and, except for three years spent at the Brussels Academy (1877-1880), he lived in Ostend all his life. His early works were of traditional subjects - landscapes, still lifes, portraits, interiors - painted in deep, rich colors and lighted by subdued but vibrant light. In the mid-1880s, influenced by the bright color of the impressionists and the grotesque imagery of earlier Flemish masters such as Hieronymus Bosch and Pieter Brueghel the Elder, Ensor turned toward avant-garde themes and styles. He took his subject matter principally from Ostend's holiday crowds, which filled him with revulsion and disgust. Portraying individuals as clowns or skeletons or replacing their faces with carnival masks, he represented humanity as stupid, smirking, vain, and loathsome. Outstanding in this vein is his immense canvas “The Entry of Christ into Brussels” in 1889 (Collection Colonel L. Frank, London).

30. Meet James Ensor - TMBW The They Might Be Giants Knowledge Base
    John Flansburgh on Meet james ensor (from a 1994 interview). In my art history class, Meet james ensor is currently ranked 94 out of 770.  
    http://tmbw.net/wiki/Meet_James_Ensor
    
    Extractions: Personal tools This Might Be A Wiki The TMBG Knowledge Base From This Might Be A Wiki Self-portrait on a Belgian poststamp (From wikipedia) song name Meet James Ensor artist They Might Be Giants album John Henry Dial-A-Song: 20 Years Of They Might Be Giants A User's Guide to They Might Be Giants: Melody, Fidelity, Quantity TMBG Clock Radio year first played Sep. 7, 1993 198 known performances run time sung by John Flansburgh In my art history class, while in college, we were bored and all of a sudden [Ensor's] works came up and we were surprised at how exciting it was. He was an expressionist, like other 20th century expressionist painters, who was ahead of his time and was very eccentric. The line "Dig him up and shake his hand" is actually very specific - a parallel idea to a lot of his paintings which involve resurrections, skeletons and puppets being animated. It's not an accident that the language of the song reflects his work. He did a painting - titled something like "Self Portrait in 1970". It's a skeleton, wearing his clothes. He became a phenomenon right before the turn of the century. With the song, I'm trying to encapsulate the issues of his life - an eccentric guy who became celebrated and was soon left behind as his ideas were taken into the culture and other people became expressionists. Death Drinking Glasses Educational Forgetting, Remembering

31. Ensor, James Ensor, Baron — Infoplease.com
    ensor, james ensor, Baron (jems äNsôr ) key, 1860–1949, Belgian painter and etcher. ensor s imagery reflected one of the most bizarre and powerful visions  
    http://www.infoplease.com/ce6/people/A0817417.html
    
    Extractions: google_ad_client = 'pub-1894504138907931'; google_ad_width = 120; google_ad_height = 240; google_ad_format = '120x240_as'; google_ad_type = 'text'; google_ad_channel =''; google_color_border = ['336699','B4D0DC','DFF2FD','B0E0E6']; google_color_bg = ['FFFFFF','ECF8FF','DFF2FD','FFFFFF']; google_color_link = ['0000FF','0000CC','0000CC','000000']; google_color_url = ['008000','008000','008000','336699']; google_color_text = ['000000','6F6F6F','000000','333333']; Encyclopedia Ensor, James Ensor, Baron key Entry of Christ into Brussels, were rejected as scandalous. While the public and press were at first hostile to his work, his paintings continued to be exhibited, and he gradually won worldwide acclaim. In 1929, Ensor was made a baron by King Albert. His home in Ostend became a museum after his death. His early style of painting is characterized by somber color, thick impasto, and an earthy realism with occasional hints of the fantastic. Toward 1883 his palette lightened, and by 1887 his paintings were flooded with intense light and strong color. From 1887 to 1900 he produced his most inventive and original work. Ensor's sources included the grotesque fantasies of Bosch, Bruegel, and Callot. Among his masterpieces is

32. James Ensor: The Banquet Of The Starved | Work Of Art | Timeline Of Art History
    The Belgian artist james ensor saw himself as the modern interpreter of the type of nightmare fantasies painted by the fifteenthcentury Dutch artist  
    http://www.metmuseum.org/toah/ho/11/euwl/ho_67.187.68.htm
    
    Extractions: The Belgian artist James Ensor saw himself as the modern interpreter of the type of nightmare fantasies painted by the fifteenth-century Dutch artist Hieronymus Bosch. Ensor spent his entire life in Ostend, Belgium, a famous nineteenth-century seaside resort whose carnival atmosphere turned dark and sinister in his paintings. Ensor's natural predilection for the macabre had a firm basis in reality when he painted The Banquet of the Starved in 1915. Late in 1914, German troops had invaded Belgium. While most of Ensor's friends fled to England, he remained in Ostend for the duration of the war. Under Occupation, Belgium suffered terrible food shortages, and this, together with Ensor's disdain for the invaders, probably prompted this painting. Seated around a table like a traditional Last Supper are a host of grotesque and masked figures engaged in disturbing acts of murder, seduction, flattery, and illness. The meager meal laid out on the table is decidedly unappetizing, and the skeleton pictures on the wall increase the unsettling effect of the whole picture. Long before Expressionism became a recognized style of painting, Ensor ravaged his canvas with brutal brushwork. Painting, Oil on Canvas

33. James Ensor's 'Christ's Entry Into Brussels In 1889': Technical Analysis, Restor
    james Ensors Christs Entry into Brussels in 1889 technical analysis, restoration and reinterpretation from Art Journal in Arts provided free by Find  
    http://findarticles.com/p/articles/mi_m0425/is_n2_v54/ai_17326644
    
    Extractions: @import url(/css/us/pub_page_article.css); @import url(/css/us/template_503.css); @import url(/css/us/tabs_503.css); @import url(/css/us/fa_bnet.css); @import url(http://i.bnet.com/css/base.css); @import url(http://i.bnet.com/css/fa.css); @import url(http://i.bnet.com/css/temp.css); On GameSpot: Optimize your PC for Unreal Tournament 3 Search Advanced Search in free and premium articles free articles only premium articles only Arts Autos Business Health News Reference Sports Technology Search

34. James Ensor Biography
    In 1994 a new audience was introduced to james ensor when They Might Be Giants released the song Meet james ensor, which aptly describes him as Belgium s  
    http://www.biographybase.com/biography/Ensor_James.html
    
    Extractions: Ensor was born April 13, 1860, in Ostend, Belgium, and, except for three years spent at the Brussels Academy, from 1877 to 1880, he lived in Ostend all his life. His early works were of traditional subject landscapes, still lifes, portraits, interiors painted in deep, rich colors and lighted by subdued but vibrant light. In the mid-1880s, influenced by the bright color of the impressionists and the grotesque imagery of earlier Flemish masters such as Hieronymus Bosch and Pieter Bruegel the Elder, Ensor turned toward avant-garde themes and styles. He took his subject matter principally from Ostend's holiday crowds, which filled him with revulsion and disgust. Portraying individuals as clowns or skeletons or replacing their faces with carnival masks, he represented humanity as stupid, smirking, vain, and loathsome. Outstanding in this vein is his immense canvas Christ's Entry Into Brussels in 1889 (1888, J. Paul Getty Center, Los Angeles, California). Ensor deliberately used harsh, garish colors and violent, broken brushstrokes to heighten the violent effect of his subjects. His work had an important influence on 20th-century painting, his lurid subject matter paving the way for surrealism and Dada, and his techniques particularly his brushwork and his coloristic sense leading directly to expressionism. He died on November 19, 1949, in Ostend, where there is now a museum devoted to his work.

35. Oxford University Press: James Ensor: Christ's Entry Into Brussels In 1889 : Pat
    The brash young artist james ensor painted Christ s Entry into Brussels in 1889 during a period of extraordinary artistic and political fomentation in his  
    http://www.oup.com/us/catalog/general/subject/ArtArchitecture/History/19thCEurop

36. Ensor, James. The American Heritage® Dictionary Of The English Language: Fourth
    ensor, james. The American Heritage® Dictionary of the English Language Fourth Edition. 2000.  
    http://www.bartleby.com/61/65/E0156500.html
    
    Extractions: Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia Cultural Literacy World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations Respectfully Quoted English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference American Heritage Dictionary ensnarl ... BIBLIOGRAPHIC RECORD The American Heritage Dictionary of the English Language: Fourth Edition.

37. Time Out New York: James Ensor
    Review james ensor. Article in Time Out New York Art.  
    http://www.timeout.com/newyork/articles/art/1763/james-ensor
    
    Extractions: @import url( http://media.timeoutnewyork.com/css/theme/default/default.css ); @import url( http://media.timeoutnewyork.com/css/theme/default/staticContent.css ); @import url( http://media.timeoutnewyork.com/css/theme/default/search.css ); @import url( http://media.timeoutnewyork.com/css/theme/default/subscribe.css ); @import url( http://media.timeoutnewyork.com/css/theme/default/templates.css ); @import url( http://media.timeoutnewyork.com/jsp/css/sectionColors.css.jsp ); @import url( http://media.timeoutnewyork.com/css/comments.css ); @import url( http://media.timeoutnewyork.com/css/inc/feature.css ); @import url( http://media.timeoutnewyork.com/css/vendor/lightBox/lightBox.css ); OAS_AD('Top'); OAS_AD('Left'); Time Out Worldwide Travel Shop Reviews and listings of New York art galleries and museums Tools addthis_url = location.href; addthis_title = document.title; addthis_pub = '';

38. James Ensor - Plagiarism On Wikipedia
    james Sidney ensor, Baron ensor (April 13, 1860–November 19, 1949), was a Belgian painter whose unique portrayals of grotesque humanity made him a principal  
    http://www.wikipedia-watch.org/plagiarism/1209.html
    
    Extractions: var skin = "monobook"; var stylepath = "/skins-1.5"; var wgArticlePath = "/wiki/$1"; var wgScriptPath = "/w"; var wgServer = "http://en.wikipedia.org"; var wgCanonicalNamespace = ""; var wgNamespaceNumber = 0; var wgPageName = "James_Ensor"; var wgTitle = "James Ensor"; var wgArticleId = 466969; var wgIsArticle = true; var wgUserName = null; var wgUserLanguage = "en"; var wgContentLanguage = "en"; Wikipedia Watch Your continued donations keep Wikipedia running! Jump to: navigation search Self-portrait on a Belgian poststamp James Sidney Ensor, Baron Ensor April 13 November 19 ), was a Belgian painter whose unique portrayals of grotesque humanity made him a principal precursor of 20th-century expressionism and surrealism edit Ensor was born in Ostend Belgium , in 1860, and — except for three years spent at the Brussels Academy , from 1877 to 1880 — he lived in Ostend all his life. His early works were of traditional subjects:

39. The Hindu : Metro Plus Hyderabad / Arts & Crafts : Who Is... James Ensor?
    Born on April 13, 1860, james Sidney ensor was one of the first fin de siécle (turn of the century) artists to break away from the prettiness of  
    http://www.hinduonnet.com/thehindu/mp/2006/05/09/stories/2006050900570400.htm
    
    Extractions: ETCHED FOREVER `The Descent of Christ into Hell' Born on April 13, 1860, James Sidney Ensor was one of the first fin de siécle (turn of the century) artists to break away from the prettiness of Impressionism. Son of an English father and Belgian mother, Ensor spent his childhood in his parents' souvenir shop in Ostend, a fishing village on the Belgian coast. The shop with its puppets, masks and seashells are a recurring theme in Ensor's paintings. He left Ostend for only three years (1877 to 1880) to study history and religious painting at Academie de Bruxelles. Ensor started painting early and by the age of 21 was exhibiting Impressionist seascapes at the Brussels salon. When the prestigious Paris salon accepted his paintings a year later, it seemed Ensor was his way to the stratosphere. But then Ensor rejected the Impressionist style for a dramatic style characterised with aggressive brushwork in place of the delicate Pointillism, bright, garish colours in place of the pretty pastels and bizarre and macabre figures sporting carnival masks. He took inspiration from earlier Flemish painters like Hieronymous Bosch and Peter Brueghel the Elder. His fortunes changed dramatically and his paintings were rejected and received scathing reviews.

40. MoMA.org | The Collection | James Ensor. L'Assassinat (The Assassination). 1888
    An eccentric visionary, james ensor created images that defy categorization. After two frustrating years at the Royal Academy of Fine Arts in Brussels,  
    http://moma.org/collection/browse_results.php?criteria=O:DE:I:2&page_number=7&te

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