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Braque George:     more books (23)

The Intimate Sketchbooks of G. Braque. American printing of Verve 31/32. by George with Grohmann, Will ; Tudal, Antoine Braque, 1955 George Braque by 1949 Ny: Moma, 1949-01-01 GEORGE BRAQUE: HIS GRAPHIC WORK. by WERNER (Intro by:) HOFFMAN, 1961 George Braque by Henry R. Hope, 1949-01-01 CAHIER DE GEORGE BRAQUE NOTEBOOK 1917-1947 by ELIZABETH GEORGE, 1948 Geoge Braque Illustrated Notebooks 1917-1955 by George Braque Appelbaum Stanley, 1971 GEORGES BRAQUE. 5 juillet - 30 septembre 1980. by GEORGE BRAQUE, 1980-01-01 George Graque: His Graphic Work by George Braque, 1961-01-01 PAINTINGS by GEORGE BRAQUE, 1934 George Braque Notebook 1917 1947 by Bernard Fretchman, 1948-01-01 George Braque by John Russsell, 1959-01-01 George Braque Calendar BIRDS with etchings By George Braque by St John Perse, 1966-01-01 Braque: Still Lifes and Interiors by George Braque, 1990

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81. Guggenheim Collection - Artist - Braque - Violin And Palette
    When Georges braque abandoned a bright Fauve palette and traditional perspective in 1908, it was the inspiration of Paul Cézanne’s geometrized compositions  
    http://www.guggenheimcollection.org/site/artist_work_md_23_6.html
    
    Extractions: When Georges Braque abandoned a bright Fauve palette and traditional perspective in 1908, it was the inspiration of Pablo Picasso Cubism more Violin and Palette and Piano and Mandola. Objects are still recognizable in the paintings, but are fractured into multiple facets, as is the surrounding space with which they merge. The compositions are set into motion as the eye moves from one faceted plane to the next, seeking to differentiate forms and to accommodate shifting sources of light and orientation. In Violin and Palette, Piano and Mandola, which serves as a beacon of stability in an otherwise energized composition of exploding crystalline forms: the black-and-white piano keys all but disembodied; the sheets of music virtually disintegrated; the mandola essentially decomposed. Jan Avgikos

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