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Bernini Gianlorenzo: more books (21)

Drawings by Gianlorenzo Bernini, From the Museum der Bildenden Kunste by Irving Lavin, 1981
Gianlorenzo Bernini - New Aspects of His Art and Thought - A Commemorative Volume by Irving Lavin, 1985
The Expressiveness of Building: Gianlorenzo Bernini Sforaz Pallavicino and the Roman Baroque (Histories of Vision) by Maarten Delbeke, 2008-06-28
DRAWINGS BY GIANLORENZO BERNINI
Dal Trionfo All'amore: Il Mutevole Pensiero Artistico Di Gianlorenzo Bernini Nella by DamianDombrowski, 2003
Dal Trionfo All'amore: Il Mutevole Pensiero Artistico Di Gianlorenzo Bernini Nella D by Damian Dombrowski, 2003

lists with details

Bernini - Definition Of Bernini By The Free Online Dictionary, Thesaurus And Enc
Definition of bernini in the Online Dictionary. Meaning of bernini. bernini, Gian Lorenzo bernini, gianlorenzo (Giovanni Lorenzo)
http://www.thefreedictionary.com/Bernini

Extractions: encyclopedia Also found in: Wikipedia 0.01 sec. write_ads(AdsNum, 0) Ber·ni·ni (b r-n n , b r-) Giovanni Lorenzo or Gianlorenzo Italian sculptor, painter, and architect. An outstanding exponent of the Italian baroque, he is noted for his flowing, dynamic sculpture, such as Apollo and Daphne (1622-1624), and his designs for many churches, including Saint Peter's Basilica. Thesaurus Legend: Synonyms Related Words Antonyms Noun Bernini - Italian sculptor and architect of the baroque period in Italy; designed many churches and chapels and tombs and fountains (1598-1680) Giovanni Lorenzo Bernini
Hidden Symbolism In Bernini's Statue Of 'David Fighting Goliath'
Keywords David, Davide, gianlorenzo bernini, Galleria Borghese, Shaked. The statue of David, by bernini, depicts David in a crucial moment in his life.
http://www.geocities.com/Vienna/Choir/4792/david.html

Extractions: by Guy Shaked Keywords: David, Davide, Gianlorenzo Bernini, Galleria Borghese, Shaked The statue of David, by Bernini, depicts David in a crucial moment in his life. The young man (only twenty years old) stands in front of Goliath, the giant Philistine warrior, facing a battle of life and death. He shed the armor of the warriors which he was given, since he was not accustomed to, wearing heavy armor, and using only the slingshot (a shepherd's weapon), attempts to hit the giant. David gathered momentum, and for a part of a second stands motionless, as he is taking aim, before throwing the stone at Goliath. His body expresses the great physical strain he is under, and his face expresses determination and concentration. His body expresses the great phisical strain he is under, and his face expresses determination and concetration. David's pose is in accordance to that suggested by Leonardo Da Vinci for "when someone is to cast spears, stones or other similar things": " a has oriented his feet in this direction [i. e. the direction of his movement]. Having twisted and moved himself towards the other side, where he prepares for the application of his power, he pivots with speed and convenience towards the point at which he wishes to release the stone from his hands" [1]. It is also in that aspect similar to Polyphemus Furioso (painted on the "Galleria Farnese" cieling) by Carracci, a painter which also had influence on Bernini's religious creations.
Bernini Buildings - Bernini Hotel, Florence
gianlorenzo bernini. The size is staggering but is perfectly in scale with the huge dimensions of the building. bernini continued his work inside the church
http://european-docuzone.com/information/bernini-buildings/
Architectural History Survey Textbook Consensus, Part 2, Renaissance Through Mod
S. Andrea al Quirinale, Rome, 165870, bernini, gianlorenzo, K 21.3b, T 539-40, W 329-30 Scala Regia, Rome, 1663, bernini, gianlorenzo, W 331, G 24-5
http://www.brynmawr.edu/Acads/Cities/wld/wdpt2.html

Extractions: building or place location date architect Kostof Trachtenberg Watkin Gardner Janson Stokstad RENAISSANCE ITALY: QUATTROCENTO . Foundling Hospital (Ospedale degli Innocenti) Florence begun c. 1419 (G: 1419-1424) Brunelleschi, Filippo K 19.6b T 445-46 G 21-14 . Florence Cathedral (Sta. Maria del Fiore), Dome (see also 1296) Florence Brunelleschi, Filippo K 16.10-12 T 444, 457, cp38 W 227, 239, 285 G 21-13 J 459-60 S 17-31, 17-32 . S. Lorenzo Florence 1421-25, 1441-1460's Brunelleschi, Filippo K 16.7, 16.8 T 449-51 J 542-43, 605 S 17-33, 17-34 . Sta. Maria degli Angeli Florence c. 1434-37 Brunelleschi, Filippo T 454 J 549 . S. Spirito Florence begun c. 1436 Brunelleschi, Filippo K 16.9 T 455-56 W 238, 241 G 21-15,16 J 548 . Pazzi Chapel Florence begun after 1442 Brunelleschi, Filippo T 452-53, cp41 W 240 G 21-17 to 21-19 J 544-47 . Doge's Palace Venice K 19.3, 19.23 W 230 G 13-64 . Ducal Palace Urbino c. a. 1444-82 Laurana, Luciano; Francesco di Giorgio K 17.22-27 W 248, 250
Artistic Expression Of Jesuit Values
Roman visitors are astonished by the number of architectural and sculptural masterpieces attributed to gianlorenzo bernini sculptor, architect and painter
http://www.faculty.fairfield.edu/jmac/sj/cj/cj2art.html

Extractions: (Art historian, Adolfo Venturi) Sculpture of Gianlorenzo Bernini (1598-1680); In St. Peter's basilica: Bernini's Baldacchino, Chair of St. Peter and the Colonnade Clarke notes a specific example. He demonstrates Bernini's complete grasp of these Spiritual Exercises in his famous sculpture of the great Spanish Carmelite reformer, Teresa of Avila. It is found in the Cornaro Chapel in Santa Maria della Vittoria in Rome. The vision is the kind we are enjoined to summon up for contemplation by St. Ignatius in his Spiritual Exercises which Bernini practiced. St. Ignatius urges us to picture each religious event in its setting and to conjure up the image of the holy person in order to converse with it. This desire for visual, even tactile, reality lies behind Teresa's vision and Bernini's representation. (Hibbard, 1974. pp. 137-138] Gianlorenzo Bernini his guarantee. The whole technique, blending architecture, painting, and sculpture, reflects a conception in three-dimensional terms which we do not ordinarily expect in a painter. Its origin may be traced to certain large decorative schemes which Bernini conceived. . . . It is fair to say that Baciccio lacked creative originality. This Bernini supplied! (Enggass, 1957, p. 303)
Buchhandlung Walther Koenig: Vor 1800 [B]
Die Altäre des Gian Lorenzo bernini. Das barocke Altarensemble im Spannungsfeld bernini, gianlorenzo. bernini in Paris. Das Tagebuch des Paul Freart de
http://www.kunstbuchhandlung.de/katalog/lmono/mono1800b.htm
International Paintings And Sculpture
bernini, gianlorenzo Italy 1598 1680 BEUYS, Joseph Germany 1921 1986 BOLTANSKI, Christian France born 1944 BÖMMELS, Peter Germany born 1951
http://www.nga.gov.au/International/Catalogue/Default.cfm?MnuID=SRCH&GalID=2&Art
Bernini, Gianlorenzo Secret Encyclopaedia Of Art Gnomiz
Translate this page gianlorenzo bernini. Scena retorica per l immaginario urbano Locci Massimo ; Testo Immagine bernini è, con Borromini e Pietro da Cortona,
http://www.gnomiz.it/nexus/arte00/bernini.htm

Extractions: Home Page Encyclopaedia Arte Gnomiz English Français ... l'altro lato del '900 Forreword english francais italiano a a a Gianlorenzo Bernini. Scena retorica per l'immaginario urbano Locci Massimo ; Bernini è, con Borromini e Pietro da Cortona, uno dei protagonisti del barocco romano. Questo studio mette a sistema la conoscenza storiografica per una critica operativa che si esercita soprattutto sul suo contributo alle trasformazioni urbane. Dal trionfo all'amore. Il mutevole pensiero artistico di Gianlorenzo Bernini nella decorazione del nuovo San Pietro Dombrowski Damian ; Argos Berniniana. Novità sul regista del barocco Fagiolo Dell'Arco Maurizio ; Skira Gianlorenzo Bernini lo scultore più famoso del '600 romano; eseguì busti, baldacchini di chiese (S.Pietro), gruppi marmorei ( Estasi di S.Teresa ), fontane (piazza Navona). Suo capolavoro architettonico fu la sistemazione dell'emiciclo antistante la chiesa di S.Pietro abbracciata dallo splendido colonnato. Bernini, Gianlorenzo
Bernini - Great Buildings Online
Biography of the dominating figure in Roman Baroque art in Great Buildings Online, with photographs and details of his architectural works.
http://www.greatbuildings.com/architects/Bernini.html

Extractions: Subscribers - login to skip ads Bernini (b. Naples, Italy 1598; d. Rome, Italy 1680) Giovanni Lorenzo Bernini was born in Naples in 1598, the son of a Florentine sculptor by whom he was trained. After settling in Rome, Bernini came to the attention of the future Pope Urban VIII. Under the patronage of Pope Urban VIII, Bernini spent his entire career in Rome where he gained his architectural fame under Alexander VII (1655-67). Considered the creator of the Baroque style , Bernini created a fusion of architecture, painting, and sculpture that led to the generation of new, dynamic forms. His works used the drama of false perspective and trompe-l'oeil to create an impact that involved the spectator. He also created a much copied palace facade type which he articulated with massive pilasters above a rusticated base. Although Bernini grafted completely new sculptural forms onto Renaissance buildings, he maintained a continuity with the original serenity of the Renaissance ideal.
Gian Lorenzo Bernini (15981680) | Thematic Essay | Timeline Of Art History | T
Gian Lorenzo bernini dominated the Roman art world of the seventeenth century, flourishing under the patronage of its cardinals and popes while also
http://www.metmuseum.org/toah/hd/bern/hd_bern.htm

Extractions: Related Timeline Content Timelines Eastern Europe and Scandinavia, 1600-1800 A.D. Florence and Central Italy, 1600-1800 A.D. France, 1600-1800 A.D. Rome and Southern Italy, 1600-1800 A.D. Venice and Northern Italy, 1600-1800 A.D. Thematic Essays American Neoclassical Sculptors Abroad Anatomy in the Renaissance Annibale Carracci (1560-1609) Baroque Rome Bronze Sculpture in the Renaissance The French Academy in Rome Gardens of Western Europe, 1600-1800 A.D. The Idea and Invention of the Villa List of Rulers: Europe Mannerism: Bronzino (1503-1572) and his Contemporaries The Papacy and the Vatican Palace Poets, Lovers, and Heroes in Italian Mythological Prints Maps World Map, 1600-1800 A.D. Europe Map, 160-1800 A.D. Galleria Borghese, Rome Gian Lorenzo Bernini dominated the Roman art world of the seventeenth century, flourishing under the patronage of its cardinals and popes while also challenging contemporary artistic traditions. His sculptural and architectural projects reveal an innovative interpretation of subjects, use of forms, and combination of media. Forging a path for future artists, he played an instrumental role in establishing the dramatic and eloquent vocabulary of the Baroque style
Biography
Portrait and biography of the Italian sculptor, architect and artist in the Web Gallery of Art, along with galleries of his sculptures and paintings.
http://www.wga.hu/bio/b/bernini/gianlore/biograph.html

Extractions: BERNINI, Gian Lorenzo (b. 1598, Napoli, d. 1680, Roma) Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding architect as well. Bernini created the Baroque style of sculpture and developed it to such an extent that other artists are of only minor importance in a discussion of that style. Early years Bernini's career began under his father, Pietro Bernini, a Florentine sculptor of some talent who ultimately moved to Rome. The young prodigy worked so diligently that he earned the praise of the painter Annibale Carracci and the patronage of Pope Paul V and soon established himself as a wholly independent sculptor. He was strongly influenced by his close study of the antique Greek and Roman marbles in the Vatican, and he also had an intimate knowledge of High Renaissance painting of the early 16th century. His study of Michelangelo is revealed in the St Sebastian (c. 1617), carved for Cardinal Maffeo Barberini, who was later Pope Urban VIII and Bernini's greatest patron. Bernini's early works attracted the attention of Cardinal Scipione Borghese, a member of the reigning papal family. Under his patronage, Bernini carved his first important life-size sculptural groups. The series shows Bernini's progression from the almost haphazard single view of
Thais - 1200 Anni Di Scultura Italiana - Bernini Gian Lorenzo
Translate this page Urbano VIII (eletto Papa nel 1623 e morto nel1644), commissionò fin dal 1628 a bernini la propria tomba da collocare nella nicchia destra dell abside di San
http://www.thais.it/scultura/bernini.htm
Gian Lorenzo Bernini - Wikipedia, The Free Encyclopedia
Gian Lorenzo bernini. A self portrait bernini is said to have used his own features in his David. Born, December 7, 1598(159812-07)
http://en.wikipedia.org/wiki/Gian_Lorenzo_Bernini

Extractions: Occupation sculptor, painter and architect Giovanni Lorenzo Bernini December 7 November 28 ) was a pre-eminent Baroque sculptor and architect of 17th century Rome Bernini was born in Naples to a capable Mannerist sculptor, Pietro Bernini , originally from Florence . At the age of seven he accompanied his father to Rome, where his father was involved in several high profile projects. There as a boy, his skill was soon noticed by the painter Annibale Carracci and by Pope Paul V , and Bernini gained the patronage exclusively under Cardinal Scipione Borghese , the pope's nephew. His first works were inspired by antique Hellenistic sculpture. Under the patronage of the Cardinal Borghese, young Bernini rapidly rose to prominence as a sculptor. Among the early works for the cardinal were decorative pieces for the garden such as The Goat Amalthea with the Infant Zeus and a Faun , and several allegorical busts such as the Damned Soul and Blessed Soul . By the age of twenty-two years, he completed the
Gian Lorenzo Bernini, Sculptor And Architect
Baroque sculptor and architect Gian Lorenzo bernini, designer of statues, fountains and churches. His early sculptures in the Borghese Gallery,
http://www.inforoma.it/feature.php?lookup=bernini
BERNINI, Gian Lorenzo
bernini, Gian Lorenzo. Italian sculptor, Roman school (b. 1598, Napoli, d. 1680, Roma). Paintings Sculptures. Please send your comments,
http://gallery.euroweb.hu/html/b/bernini/gianlore/index.html
OCAIW - Gian Lorenzo Bernini
Gian Lorenzo bernini Italian Painter, Sculptor and Architect, 15981680 - Baroque. Links to pictures of works by Gian Lorenzo bernini in image galleries
http://www.ocaiw.com/bernini.htm
Gian Lorenzo Bernini -- Britannica Online Encyclopedia
Britannica online encyclopedia article on Gian Lorenzo bernini Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding
http://www.britannica.com/eb/article-9078859/Gian-Lorenzo-Bernini
Giovanni Lorenzo Bernini
Biographical sketch of the great 17th century baroque sculptor / architect.
http://www.boglewood.com/cornaro/xbernini.html

Extractions: Born: 7 December 1598, Naples Married: 1639, Caterina Tezio Died: 28 November 1680, Rome GIOVANNI LORENZO BERNINI was, in the assessment of Janson ( History of Art , p. 410), the greatest sculptor-architect of the 17th century. He began his career as a student of his father Pietro Bernini (1582-1629), a sculptor who had himself worked at one time with Camillo Mariani Later he attracted the patronage of Cardinal Maffeo Barberini, for whom he designed a palace. When Barberini was subsequently installed as Pope Urban VIII, 1623, Bernini was put in charge of building operations at St. Peter's Basilica at the Vatican, where one of his early works, 1624-33, was the canopy [baldachin] over the high altar. He also created, 1657-66, the soaring marble, gilded bronze and stucco Chair of St. Peter [Cathedra Petri] for the Basilica. Bernini's baroque style was a powerful influence on the architecture of his period. His most famous architectural works are the symmetrical curved colonnades of St. Peter's, the facade of Barberini's palace, and the arsenal at Civita Vecchia. Late in his career Bernini designed a series of three churches, culminating in the domed Sant' Andrea al Quirinale, 1658-70, in Rome.
Gian Lorenzo Bernini (Getty Museum)
A biography of the artist Gian Lorenzo bernini from the J. Paul Getty Museum s collection.
http://www.getty.edu/art/gettyguide/artMakerDetails?maker=580
Howstuffworks "Bernini, Gian Lorenzo - Encyclopedia Entry"
Learn about bernini, Gian Lorenzo. Read our encyclopedia entry on bernini, Gian Lorenzo.
http://reference.howstuffworks.com/bernini-gian-lorenzo-encyclopedia.htm

Extractions: REFERENCE LINKS PRINT EMAIL Bernini, Gian Lorenzo Bernini, buhr NEE nee, Gian Lorenzo (1598-1680), an Italian sculptor, was probably the most famous artist of the 1600's. He was an outstanding interpreter of the baroque, a highly ornamental style. He also wrote comedies, painted portraits, and was an architect. Related Topics: Mills, Robert (1781-1855), was one of the first Americans trained as an architect and engineer. He designed the Washington Monument in Washington,... Saarinen, Eliel , SAHR uh nehn, EH lyehl (1873-1950), was a Finnish-born American architect. He became internationally famous for the bold and... Le Corbusier , luh kawr byoo ZYAY (1887-1965), was the professional name of Charles Edouard Jeanneret-Gris, often considered the most important... Breuer, BROY uhr, Marcel Lajos (1902-1981), was a Hungarian-born architect, furniture designer, and teacher. From 1924 to 1928, Breuer taught at...

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