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Beardsley Aubrey:     more books (100)

The Letters of Aubrey Beardsley by Henry Maas, J.L. Duncan, 1990-12 Aubrey Beardsley, an account of his life by Miriam J Benkovitz, 1981 Early and Later Work of Aubrey Beardsley (2 volumes) by Aubrey Beardsley, 1967 Later Work of Aubrey Beardsley by Dover, 1967 The Early Work of Aubrey Beardsley by Aubrey Vincent Beardsley, 1967-06 THE EARLY WORK OF AUBREY BEARDSLEY [&] THE LATER WORK OF AUBREY BEARDSLEY by BEARDSLEY Aubrey and MARILLIER H.C., 1967 The land of heart's desire by Aubrey Beardsley, W B. 1865-1939 Yeats, et all 2010-09-07 Lure of the Limerick by William S. Baring-Gould, 1995-06 Aubrey Beardsley: A Slave to Beauty by David Colvin, 1998-09 Aubrey Beardsley and British Wagnerism in the 1890s: The Imperfect Wagnerites by Emma Sutton, 2002-12-05 Aubrey Beardsley (Twayne's English Authors Series) by Ian Fletcher, 1987-12 Drawings by Aubrey Beardsley, 1967 Confessions of Aubrey Beardsley by Donald S. Olson, 1994-09-08 The British barbarians: a hill-top novel by Grant Allen, Aubrey Beardsley, 2010-07-28

lists with details

21. Aubrey Beardsley
    BurneJones in turn attracted the veneration of aubrey beardsley, probably the most remarkable English illustrator of the industrial age.  
    http://www.artchive.com/artchive/B/beardsley.html
    
    Extractions: See also: Art Nouveau Symbolism VIEW IMAGE LIST Burne-Jones in turn attracted the veneration of Aubrey Beardsley, probably the most remarkable English illustrator of the industrial age. He too was a precocious talent: at the age of fifteen he had illustrated his favourite books (Madame Bovary, Manon Lescaut). By the time of his death at the age of twenty-six (he died of tuberculosis, in Menton, where he had gone in search of a favourable climate), he had made a lasting impact on the art of illustration. It was a field in which a number of outstanding artists were then working, including Walter Crane, co-founder with William Morris of the Arts and Crafts Exhibition Society. "It was through Burne-Jones that, in 1891, Beardsley, then aged eighteen, met Oscar Wilde. Wilde was writing his Salome in French (Arthur Douglas subsequently translated it into English), and asked Beardsley to illustrate it.

22. Aubrey Beardsley
    www.stg.brown.edu/projects/hypertext/ landow/victorian/decadence/beardsleyov.html Similar pages The Art of aubrey beardsleyaubrey beardsley was an illustrator who took part in this movement, and became known in the larger context of Art Nouveau. In criticizing Victorian society,  
    http://www.stg.brown.edu/projects/hypertext/landow/victorian/decadence/beardsley

23. AXE - Special Collections - Aubrey Vincent Beardsley
    This collection comprises books illustrated by British artist aubrey Vincent beardsley (18721898) and used by Katherine Mix for A Study in Yellow The  
    http://library.pittstate.edu/spcoll/ndxbeardsley.html
    
    Extractions: Axe Home Library Help Search ... The Aubrey Vincent Beardsley Collection Links Aubrey Vincent Beardsley (1872-1898) SCOPE AND CONTENT NOTE This collection comprises books illustrated by British artist Aubrey Vincent Beardsley (1872-1898) and used by Katherine Mix for A Study in Yellow: The Yellow Book and its contributors (Lawrence: University of Kansas Press, 1960), with two proofs of woodprints of Beardsley drawings. Selected local material Links to related sites Artcyclopedia entry The Art of Aubrey Beardsley by Erin Smith Artchive entry for Aubrey Beardsley Aubrey Beardsley: an Overview Brown University - Victorian Web Aubrey Beardsley Art Image Collections (artpassions.net)

24. Aubrey Beardsley Posters At AllPosters.com
    aubrey beardsley Posters at AllPosters.com. Choose from over 300000 posters and prints. Professional custom framing available.  
    http://www.allposters.com/-st/Aubrey-Beardsley-Posters_c35751_.htm
    
    Extractions: var isLoaded = true; Top Fine Art Fine Art by National... English Art Browse English Art: Achilleos, Chris Adams, Charles James Adlard, Henry Ainsworth, Mark Aldin, Cecil Alken, Henry Thomas Alma-Tadema, Sir Lawrence Altson, Abbey Alvim-correa Armitage, Edward Atkinson, George Franklin Babb, Charlotte E. Back, George Bacon, Francis Bacon, John Henry Frederick Banksy Barlow, Francis Barret, George Beardsley, Aubrey Bedford, Francis Donkin Bell, Edward Hamilton Bevan, Robert Blackwell, Elizabeth Brewtnall, Edward Frederick Brickdale, Eleanor Fortescue Brock, H.m. Brown, Ford Madox Brown, Lucy Madox Budge, E.a. Wallis Bunce, Kate Elisabeth Burne-Jones, Edward Campbell II, James Catesby, Mark Chinnery, George Clarke, Joseph Clayton Collier, John Constable, John Cooper, Samuel Cowper, Frank Cadogan Critz, John De Cruikshank, George Cruikshank, Isaac Dadd, Richard Davis, William Dayes, Edward De Morgan, Evelyn De Morgan, William Dicksee, Sir Frank Dobson, William Doyle, Richard Draper, Herbert James Drummond, Arthur Dudley, Robert Egg, Augustus Leopold Elmore, Alfred W.

25. ARC :: Aubrey Beardsley (1872-1898) :: Page 1 Of 4
    www.artrenewal.org/asp/database/art.asp?aid=1248  
    http://www.artrenewal.org/asp/database/art.asp?aid=1248

26. Special Collections: Aubrey Beardsley - A Tribute
    Online exhibition aubrey beardsley and the Decadent Movement of the 1890s.  
    http://www.lib.unimelb.edu.au/collections/special/exhibitions/beardsley/
    
    Extractions: Links: University Homepage About the University Students Research Community News Events Faculties A-Z Directory Library Search: Special Collections Home An online exhibition developed from the exhibition 'Aubrey Beardsley and the 1890s - a tribute' curated by Ann Galbally (Reader and Associate Professor, School of Fine Arts, Classical Studies and Archaeology) and Merete Smith (Rare Books Curator, the University Library). This exhibition, using the resources of our Rare Books and Prints collections, seeks to reveal the extraordinary creativity of Aubrey Beardsley and the 'Decadents' in terms of book production and illustration. From the perspective of 100 years how can we now view the avant-garde book production of England in the 1890s which claimed the black and white illustrations of Aubrey Beardsley at its apex? Set against a background of the de-stabilising gender politics of the 1890s, it was a decade that produced the so-called 'Decadent' writers and artists, whose work combined sexual experimentation with spiritual questing in an intensely creative harness. Each expressed an impulse of the as-yet unborn modernism and much of the creative endeavour of these artists and writers can be interpreted as expressing pre-Freudian archetypes.

27. Aubrey Vincent Beardsley (1872-1898)
    Notes on the artist aubrey beardsley, in context of pages on Victorian artists and illustrators.  
    http://myweb.tiscali.co.uk/speel/illus/beardsly.htm
    
    Extractions: From Le Morte d'Arthur 'In his work we have the most complete expression of what is typical of the decadent movement - disdain of classical traditions in art, and of clean traditions in ethics; the fin de siecle outlook on the husk of life, and brilliant dexterity in portraying it' - a contemporary critic The illustrator Aubrey Beardsley was born in Brighton. He had an early interest in art, for example hand painting christmas cards copied from Kate Greenaway as a child, and drawing for his school magazine. However, he went not to art school, but to an architect's office, and then as a clerk to the Guardian Fire Insurance Company. While working there he took a few lessons in the studio of Fred Brown, in Westminster to study the human figure. Though he took some early drawings to show William Morris , he failed to impress the great man, and his first major work was the illustration of Malory's Morte d'Arthur This was a huge undertaking for the already sickly Beardsley, and his contributions were large in number early in the project, then fell off in quantity and in quality. The final volume is comparable in size to Morris's Kelmscott Chaucer , with illustrations by Burne-Jones , but while the Burne-Jones illustrations match to Chaucer's text, Beardsley's illustrations to Le Morte d'Arthur are a mix of knights and fauns, swans, fantasy figures, with only some few larger illustrations directly fitting the stories. There is much of Beardsley's style owing to Burne-Jones though, in the draperies, the armour, and the arts and crafts borders and vegetation. But there are also the more sinuous art nouveau forms, the Japanese-style compositions with massed black and white, the cruel faces and gestures that were to feature more prominently thereafter.

28. Aubrey Beardsley (1872 - 1898) Artwork Images, Exhibitions, Reviews
    aubrey beardsley Abrey beardsley was born in Brighton, and endured tuberculosis as a child in 1879. At 16, he moved to London to study art.  
    http://wwar.com/masters/b/beardsley-aubrey.html
    
    Extractions: Abrey Beardsley was born in Brighton, and endured tuberculosis as a child in 1879. At 16, he moved to London to study art. His first commission came from J.M. Dent in 1893, who asked him to illustrate Malory’s Morte d’Arthur. This project resulted in more commissions, the most famous of these being his pen and ink illustrations of Oscar Wilde’s Salome. In 1895, Beardsley’s tuberculosis resurfaced and ultimately caused his death in 1898.

29. Search For Vintage Cartoon Images And Historical Editorial Cartoons
    Artist beardsley, aubrey Catalogue Ref csl0879. Add to cart. The Eyes of Herod Influenced by Whistler s Peacock Room Artist beardsley, aubrey  
    http://www.cartoonstock.com/vintage/vintage_search.asp?action=search&x=a&keyword

30. AUBREY BEARDSLEY (1872-1898)
    aubrey beardsley was born in Brighton on 21 August 1872. At the age of seven, he contracted the then incurable disease of tuberculosis and was sent off to  
    http://www.chrisbeetles.com/pictures/artists/Beardsley_Aubrey/Beardsley_Aubrey.h
    
    Extractions: Home Exhibitions Artwork Publications ... About DEMON IN EVENING DRESS DANDY WITH GLOVES AND HATPIN TAKING A BOW THE SPOTTED DRESS Exactly a year later, in 1895, Wilde was arrested on a charge of committing indecent acts, placed on trial and imprisoned. Beardsley was considered guilty by association, and more sanctimonious contributors forced his dismissal from The Yellow Book. Yet by the end of the year, he had defiantly developed The Savoy as a rival periodical, with help from decadent poet Arthur Symons and pornographic publisher Leonard Smithers. The presence of Smithers also facilitated the publication of his great late illustrated volumes, especially The Rape of the Lock by Alexander Pope and Lysistrata by Aristophanes (both 1896). Becoming increasingly plagued by tuberculosis, he attempted to aid his physical health by spending time on the Continent, and his spiritual health by converting to Roman Catholicism. He died in Menton, on the French-Italian border on the 16 March 1898, at the age of twenty-five. For further information, see:

31. Aubrey Vincent Beardsley Prints
    The beardsley family’s means were modest, and by 1888 aubrey had quit school to work as a clerk. At the age of nineteen aubrey beardsley embarked on a  
    http://www.antique-appraise.com/Beardsley.html

32. Intute: Arts And Humanities - Full Record Details For Aubrey Beardsley : A Tribu
    The free illustrated website has the following short illustrated sections on the work of the British book illustrator aubrey beardsley The Influence of  
    http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=20071128-

33. ArtandCulture Artist: Aubrey Beardsley
    About the drama between good and evil, the editors of the Catholic Encyclopedia are expert; and about aubrey beardsley, regularly found at the side of the  
    http://www.artandculture.com/cgi-bin/WebObjects/ACLive.woa/wa/artist?id=1319

34. The Art Nouveau Home - Arts & Crafts Home
    Pictorial histories. 1972 aubrey beardsley Sixty Selected Drawings, Academy editions London beardsley s book plate  
    http://www.achome.co.uk/artnouveau/index.php?page=pictorial_histories&subpage=be

35. Brighton & Hove Bus And Coach Company Limited
    Connections with Brighton and Hove Few people have achieved so much in so short a time as aubrey beardsley who died when he was only 25 from TB and must  
    http://www.buses.co.uk/history/fleethist/603ab.htm

36. Aubrey Beardsley - Research And Read Books, Journals, Articles At
    Research aubrey beardsley at the Questia.com online library.  
    http://www.questia.com/library/art-and-architecture/aubrey-beardsley.jsp

37. Princeton - News - Aubrey Beardsley Centennial Exhibition Open At Library
    The exhibition is curated by Mark Samuels Lasner, author of Selective Checklist of the Published Work of aubrey beardsley (1995); and Don C. Skemer,  
    http://www.princeton.edu/pr/news/98/q4/1007-beard.htm
    
    Extractions: Date: October 7, 1998 Princeton, N.J. The Princeton University Library is currently commemorating the 100th anniversary of the death of the Aubrey Vincent Beardsley (1872-98), the celebrated English artist and book illustrator, with an exhibition in the Leonard L. Milberg Gallery for the Graphic Arts, Harvey S. Firestone Memorial Library. fin-de-siecle. Le Morte Darthur Salome The Yellow Book The Savoy (1896-97), and The Lysistrata of Aristophanes and other illustrations published by Leonard Smithers. Also included are portraits of Beardsley by such contemporary artists as Sir William Rothenstein and Max Beerbohm. The exhibition is curated by Mark Samuels Lasner, author of Selective Checklist of the Published Work of Aubrey Beardsley (1995); and Don C. Skemer, Curator of Manuscripts. The exhibition is on view through Thursday, January 7, 1999.

38. Aubrey Beardsley
    Is the subject of books aubrey beardsley Dandy of the Grotesque, 1995, BY Chris Snodgrass aubrey beardsley, 1998, BY Stephen Calloway. Author of books  
    http://www.nndb.com/people/209/000085951/
    
    Extractions: Executive summary: Leading late 19th c. English illustrator Volpone is held by some to be, from this purely technical standpoint, one of the best pen-drawings of the age. His posters for the Avenue theatre and for Mr. Fisher Unwin were among the first of the modern cult of that art. The following are the chief works which are illustrated with drawings by Beardsley: the Bon Mot Library, The Pall Mall Budget , and The Studio Sir Thomas Malory 's Morte d'Arthur The Yellow Book The Savoy Magazine The Rape of the Lock University: Westminster School of Art (evening classes in 1891)

39. Part 1: The Tired Chameleon: A Study In Hues
    aubrey beardsley, (18721898) Mademoiselle de Maupin of Theodore Gautier. Gautier s belief in art for art s sake was a rallying cry for the Aesthetes in  
    http://www.nyu.edu/library/bobst/research/fales/exhibits/wilde/0chamele.htm
    
    Extractions: Consider the chameleon. A reptile with a long tail and a long tongue, with the capacity to change the color of its skin to the hues against which it is set the chameleon embodies the very shade-shifting characteristic of Oscar Wilde's vision of art and the spaces it inscribes. Most particularly, the chameleon's behavior collapses the border between art and nature, a reptilian enactment of Wilde's own program for life and letters. Almost from the start of his career, Oscar Wilde proposes a new kind of aesthetic reading. In order for his contemporaries to understand his theories, they must not rely on what is written between the covers of a book alone, they must also read him. He stands carnation, lily, or sunflower in hand and dares the reader to read, while at the same time admonishing us to see (or read) the object "as in itself it really is not." Which is to say: the reader must both read the artist/object and read past him at the same time. The function of an artist is to dissolve into the hues of his art, not of his personality. "In art, don't you see," he writes to his lover, Lord Alfred Douglas, "there is no first person." Therefore, the chameleon queers the space it sits in, asking us to negotiate where the background leaves off and the life begins, being continually in motion, both surface and symbol. In other words, the chameleon's shift in hue is a Wildean gesture of art-making: the shift arrests the background and the figure. Paradoxically however, in the act of shifting to

40. Aubrey Vincent Beardsley — Infoplease.com
    Related content from HighBeam Research on aubrey Vincent beardsley Death of aubrey beardsley. (March 16, 1898, during the 1800s, he was a foremost  
    http://www.infoplease.com/ce6/people/A0806608.html
    
    Extractions: google_ad_client = 'pub-1894504138907931'; google_ad_width = 120; google_ad_height = 240; google_ad_format = '120x240_as'; google_ad_type = 'text'; google_ad_channel =''; google_color_border = ['336699','B4D0DC','DFF2FD','B0E0E6']; google_color_bg = ['FFFFFF','ECF8FF','DFF2FD','FFFFFF']; google_color_link = ['0000FF','0000CC','0000CC','000000']; google_color_url = ['008000','008000','008000','336699']; google_color_text = ['000000','6F6F6F','000000','333333']; Encyclopedia Beardsley, Aubrey Vincent key , English illustrator and writer, b. Brighton. Beardsley exemplifies the aesthetic movement in English art of the 1890s (see decadents ). In his short working span of only six years, he developed a superbly artificial and graphic manner, expressed in flat, linear, black-and-white designs. His works were by turns erotic and cruel in emphasis. The art editor of the famous Yellow Book The Savoy

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